King Diamond's fourth full-length, Conspiracy, was released through Roadrunner Records in August 1989. This L.P. features the same lineup as its predecessor and was recorded at the same studio, but is vastly superior. The feeling from Fatal Portrait and Abigail is definitely gone forever, but this is a very solid album.
Conspiracy continues the story from "Them" and, though the first part seemed quite weak, turns out to be a much more interesting concept this time around. Unlike the previous album, none of the tracks here feel like filler that only exist to prop up the lyrics. While some songs are certainly stronger than others, each one is able to stand on its own. The album is filled with very epic riffs and memorable vocal lines, especially the opening track "At the Graves". The much more robust production really suits the material, as well. The guitars sound much more dynamic, as opposed to the flat sound of "Them". In a sense, the guitars are more geared toward the large-budget stadium rock sound, reminiscent of Ozzy Osbourne's No Rest for the Wicked. It's heavier, but not in the same way as an album like Abigail, which had a sharper and more metallic guitar tone.
Musically, the compositions here are miles ahead of those found on "Them". The aforementioned "At the Graves" is just a massive beast, perhaps a little too long, but still a monumental track and a good one from which to build the rest of the album. Songs like "Sleepless Nights", "Amon Belongs to Them" and "Victimized" are bursting with the same sort of energetic riffs that will easily hold your interest. As well, King's voice is still in good form here and provides a lot of memorable moments. "A Visit from the Dead" may be the most melodic and complex track on here, along with "Something Weird". It begins with a quiet section that then gives way to some very Abigail-esque riffs. These combine with King's haunting falsetto screams to create a rather dire feeling. "Let It Be Done" and "Cremation" also do well to maintain the horror vibe.
While it cannot compare to the first two records, Conspiracy unquestionably deserves to be considered part of King Diamond's classic period. It's a very solid album that does well to correct the mistakes made on the previous release. After the very first listen, it's quite likely that many of these riffs and vocal lines will remain in your head for a while. Though none of the tracks can really match up to the intense and epic opener, there's not a bad song on here. This is definitely recommended.